Authentic Ninjutsu and Samurai Bujutsu from Soke Anshu Christa Jacobson (宗家 暗主)

Archive for January, 2012

35 METHODS OF SRATEGY – HEIHO PART 5

Soke; Anshu Christa Jacobson

Soke; Anshu Christa Jacobson teaching Heiho at Hombu Dojo

35 INSTRUCTIONS ON SRATEGY – PART 4
Hyoho Sanju go kajoMiyamoto Musashi; 1614
_________________________________________

In 1614 two years before he wrote the Gorin no sho (Book of the 5 Rings) Musashi wrote a work called “Thrity-five Instructions on Strategy”. It was written for Lord Hosokawa, by his guest Miyamoto Musashi. The Gorin no sho (Book of the 5 Rings) is considered a more elabora te piece off of this work.

To truly understand these teachings and the nature of this text is extremely difficult as Musashi used special terms and verbal meaning to express his respect for Lord Hosokawa, which is very hard to understand the exact meaning to translate into English.

In the translations I am using the terms that was used in the Gorin no sho (Book of the 5 Rings) as they are the more popular terms for identifying Miyamoto Musashi’s works.

STRATEGY NINE
(KNOWING THETHREE LEVELS OF STRATEGY)

Someone who adopts guard positions in strategy and displays different guard positions while handling the sword sometimes slowly, sometimes fast practices strategy of a low level.  Someone who has refinement in strategy and who appears magnificent die to elegant bearing, practices at an intermediate level.  The supreme strategy will appear neither strong nor weak; nether slow nor fast, neither magnificent nor bad, but broad, straight and calm.  You should examine this well

(*note* in the test musashi uses the term “ge”, “chu” and “jo” when using these terms in expression, they are more than just low medium and high they also refer to level of skill or quality.)

STRATEGY TEN

(A GRADUATED CORD MEASURE)

You must always have a graduated cord measure in your mind.  If you measure your opponent by adjusting the cord to him, you will be able to ascertain clearly his strengths and weakness, his straightness and crookedness, where he is relaxed and where he is tense.  With this measure you must size up all aspects of your opponent – round, square, short, crooked or straight.  You should examine this well.

STRATEGY ELEVEN

(THE PATHWAY OF THE SWORD)

Without knowing the pathway of the sword, you cannot handle it feely.  You cannot properly slash you opponent if you put too much force into it, if you do not have a sense of the back and the side of the blade, if you shale the sword around like a knife or a spoon for serving rice.  You must train in hitting you opponent well, always knowing the pathway of the sword and moving it calmly, following its weight.

I hope that you all enjoy your lessons today from the Hyoho Sanju go kajo. Thank you all for your support! I wish you all the best in your journey of the arts!

Anshu Christa Jacobson
Headmistress of the Budo Ryu; School of the Warrior Way
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist


Nude Art – Artistic Modeling – “Victim”

Nude Art - Artistic Modeling

Anshu Christa Jacobson - Nude Artistic Mode

Photo: VICTIM
Model: Christa Jacobson

Many of you know that I am a model and also do “nude” modeling. The reason that I separate the modeling from the nude modeling as a description is because so many people have a problem with anyone that is nude.

Nude art is a work depicting the vision of an artist working with the human form naked. Be it paintings, photographs, or mixed media, the nude art is a term attempting to give an artistic depiction of a nude human form. Some of the earlier artists who used nude models for their art were Michelangelo, Botticelli and DaVinci.

Above is an artistic piece that was digitally enhanced to portray the artist expression.  The name of the art work is called “Victim”.  The original picture comes from “Artistic Expression; Book One” which can be found on Amazon.com.

If any of you want to follow my artistic blog, you can find it here:

http://anshuchristajacobson.deviantart.com/

I hope that you enjoy the artistic photography, and see the beauty in the human expression of art.  Thank you all for your support within the martial arts, as well as the human expression of art called life.

I wish you all the best.

Anshu Christa Jacobson
Headmistress of the Budo Ryu; School of the Warrior Way
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist


Budo Ryu; Kansas City, Ks — Eishin Ryu Iaijutsu – 無雙直傳英信流 – 居合術, 居合道

This is some of the video footage from our Eishin-ryu Kuden Event for the month of December 2011. In the training of this event we looked at the basic fundamentals of Japanese swordsmanship and the samurai method of iaijutsu.

Eishin-ryu Iaijutsu is one of the 7 Warrior Traditions of the Budo Ryu; School of the Warrior Way as the training goes in depth within the 7 traditions of the Budo Ryu Ninjutsu Dojo!

The Budo Ryu is dedicated to teaching traditional samurai bujutsu and authentic ninjutsu. To do this the Budo Ryu has 7 Warrior Traditions that it teaches from:

7 WARRIOR TRADITIONS OF THE SCHOOL:
* Koka Ryu Kempo (甲賀流拳法)
* Tenjin Ryū Jujutsu (天神流柔術)
* Tomo Ryu Shinobijutsu (戸猛流忍術)
* Musō Jikiden Eishin-ryū (英信流居合術)
* Koto Ryu Koppojutsu (虎倒流骨法術)
* Gyokko-Ryū Kosshijutsu (玉虎流骨指術)
* Togakure-ryū Ninpo Taijutsu (戸隠流忍法体術)

I hope that you enjoy the video! Thank you all for your support!

Take Care, Be Safe and Good luck in your Journey of Budo!

Anshu Christa Jacobson
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist


35 METHODS OF SRATEGY – HEIHO PART 4

Soke; Anshu Christa Jacobson

Soke; Anshu Christa Jacobson

35 INSTRUCTIONS ON SRATEGY – PART 4
Hyoho Sanju go kajoMiyamoto Musashi; 1614
_________________________________________

In 1614 two years before he wrote the Gorin no sho (Book of the 5 Rings) Musashi wrote a work called “Thrity-five Instructions on Strategy”. It was written for Lord Hosokawa, by his guest Miyamoto Musashi. The Gorin no sho (Book of the 5 Rings) is considered a more elaborate piece off of this work.  To truly understand these teachings and the nature of this text is extremely difficult as Musashi used special terms and verbal meaning to express his respect for Lord Hosokawa, which is very hard to understand the exact meaning to translate into English. In the translations I am using the terms that was used in the Gorin no sho (Book of the 5 Rings) as they are the more popular terms for identifying Miyamoto Musashi’s works.

STRATEGY EIGHT
(REGARDING STATE OF MIND)

The mind should be neither solemn nor agitated, neither pensive nor fearful; it should be straight and ample. This is the state of mind that should be sought after. The will should not be heavy, but the depth of ones awareness should be; in this way you make your mind like water that reacts appropriately to shifting situations. Whether it is a drop or an ocean with blue depths, it is water, you should examine this well.

I hope that you all enjoy your lessons today from the Hyoho Sanju go kajo. Thank you all for your support! I wish you all the best in your journey of the arts!

Anshu Christa Jacobson
Headmistress of the Budo Ryu; School of the Warrior Way
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist


35 METHODS OF SRATEGY – HEIHO PART 3

Anshu Christa Jacobson

Soke; Anshu Christa Jacobson

35 INSTRUCTIONS ON SRATEGY – PART 3
Hyoho Sanju go kajoMiyamoto Musashi; 1614
_________________________________________

In 1614 two years before he wrote the Gorin no sho (Book of the 5 Rings) Musashi wrote a work called “Thrity-five Instructions on Strategy”. It was written for Lord Hosokawa, by his guest Miyamoto Musashi. The Gorin no sho (Book of the 5 Rings) is considered a more elabora te piece off of this work.

To truly understand these teachings and the nature of this text is extremely difficult as Musashi used special terms and verbal meaning to express his respect for Lord Hosokawa, which is very hard to understand the exact meaning to translate into English.

In the translations I am using the terms that was used in the Gorin no sho (Book of the 5 Rings) as they are the more popular terms for identifying Miyamoto Musashi’s works.

STRATEGY SEVEN
(SIZING UP THE MA)

Different schools give different instructions on the way to assess the “ma”, but I find that they tend to fix or rigidify your strategy; that is why I advise you not to take into consideration what you have learned before.

Whatever the discipline may be, it is repeated exercises that you arrive at the point of being able to assess the “ma”.  In general you should think that when your sword reaches your opponent, he can also reach you.  When you want to kill an opponent, you have a tendency to forget your own body.  You must reflect well on this.
Let us recall that “ma” is not exactly distance but is description of the space-time of a distance / relationship.  “Ma” also refers to the action of the mind by which this spatial and temporal phenomenon is grasped.
(*Note, in this text Musashi is doubtless alluding to the habits acquired by Lord Hosokawa in the Yagyu-ryu*)

I hope that you all enjoy your lessons today from the Hyoho Sanju go kajo. Thank you all for your support! I wish you all the best in your journey of the arts.

Anshu Christa Jacobson
Headmistress of the Budo Ryu; School of the Warrior Way
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist


35 METHODS OF SRATEGY – HEIHO PART 2

Sensei Anshu Christa Jacobson

Soke; Anshu Christa Jacobson

35 INSTRUCTIONS ON SRATEGY – PART 2
Hyoho Sanju go kajoMiyamoto Musashi; 1614
_________________________________________

In 1614 two years before he wrote the Gorin no sho (Book of the 5 Rings) Musashi wrote a work called “Thrity-five Instructions on Strategy”. It was written for Lord Hosokawa, by his guest Miyamoto Musashi. The Gorin no sho (Book of the 5 Rings) is considered a more elaborate piece off of this work.

To truly understand these teachings and the nature of this text is extremely difficult as Musashi used special terms and verbal meaning to express his respect for Lord Hosokawa, which is very hard to understand the exact meaning to translate into English.

In the translations I am using the terms that was used in the Gorin no sho (Book of the 5 Rings) as they are the more popular terms for identifying Miyamoto Musashi’s works.

STRATEGY FOUR; (POSTURE) — It is appropriate to hold the head neither lowered nor raised. The shoulders are neither raised nor contracted. The belly is forward but not the chest. The buttocks are not drawn in; the knees are not fixed. The posture of strategy should be well examined so that it also becomes one’s ordinary posture.

STRATEGY FIVE; (MOVEMENT OF THE FEET) — To move from one place to another, you slightly raise your toes and push off from the heel, forcefully. According to the situation, you move your feet with a large or small step, slowing or rapidly, but always in the manner of walking. There are three ways of moving that is necessary to avoid: Jumping, Floating Steps and Heavy Stomping. The essential instruction related to moving from place to place is to alternate the movement of the two feet, positive foot then negative foot (In/Yo), which means you should not just move one foot. When you slash, when you back away, when you parry, you must always move the right and left feet alternately. You must never move only one foot. This should be examined with care.
(*Note, this is the same as the Gorin no sho, in the scroll of water*)

STRATEGY SIX; (THE WAY OF LOOKING) —Your look must be broad and ample. Looking and seeing are two different things. Look powerfully, see gently. It is necessary to look at what is in the distance as well as something that is close; know that what is close is something that is of distance – this is essential for strategy. It is fundamental in strategy to know the sword of the adversary without looking at it. You must exercise well in this. Whether it is a matter of strategy on the individual scale or strategy on the large scale, the way of looking is the same. It is essential to look to both sides without moving your eyes. But without preparation, you will not be able to achieve this way of looking at the time of combat. This is why you had better study what I am writing here; you must accustom yourself to looking all the time in this way in order to be able to keep this way of looking in any situation. Examine this well.
(*Note, this is the same as the Gorin no sho, in the scroll of water*)

I hope that you all enjoy your lessons today from the Hyoho Sanju go kajo. Thank you all for your support! I wish you all the best in your journey of the arts.

 

Anshu Christa Jacobson
Headmistress of the Budo Ryu; School of the Warrior Way
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist

 

 


35 METHODS OF SRATEGY – HEIHO PART 1

Kenjutsu, Iaijutsu, Jujutsu, Heiho

Soke; Anshu Christa Jacobson

35 INSTRUCTIONS ON SRATEGY – PART
Hyoho Sanju go kajoMiyamoto Musashi; 1614
_________________________________________

In 1614 two years before he wrote the Gorin no sho (Book of the 5 Rings) Musashi wrote a work called “Thrity-five Instructions on Strategy”. It was written for Lord Hosokawa, by his guest Miyamoto Musashi. The Gorin no sho (Book of the 5 Rings) is considered a more elaborate piece off of this work.

To truly understand these teachings and the nature of this text is extremely difficult as Musashi used special terms and verbal meaning to express his respect for Lord Hosokawa, which is very hard to understand the exact meaning to translate into English.

In the translations I am using the terms that was used in the Gorin no sho (Book of the 5 Rings) as they are the more popular terms for identifying Miyamoto Musashi’s works.

STRATEGY ONE; (UNDERSTAND WHY) — Among the people are sailors with rudders and oars as well as farmers with a spades and hoes. Each in his way succeeds in accustoming himself to his action. You too can acquire strength through regular exercise. Nonetheless, it is appropriate for each person to choose a sword that corresponds to his strength.

STRATEGY TWO; (KNOW THE WAY) — The way is identical for a group strategy and for individual strategy. I am writing here about individual strategy, but it is appropriate to look at this towards group strategy as well. Keep in mind, the image of a general and its meaning. The limbs correspond to the vassals and the torso corresponds to the soldiers and people. It is thus that one must govern the country and ones own body, without having any imbalances. Nobody is strong and nobody is weak if he conceives of the body, from the head to the sole of the foot, as the unity in which living mind circulates everywhere equally.

STRATEGY THREE; (THE WAY OF HOLDING THE SWORD) — Life and death exist for the sword as well as for the hand When you adopt a guard position or parry an attack, if you forget to slash you opponent, your hand is going to forget and essential dynamic and will become fixed. That is what is called a “dead hand”. A living hand is one that does not become fixed in a gesture. You will then be at ease with the possibility of slashing properly, since both the sword and the hand will be adapting flexibility to successive actions. I call that “living wrist”. The wrist must not have any slack; the elbow must not be too tense not too bent. A sword should be held with tension in the lower part of the arm muscles and relaxation in the upper part of these muscles. You should examine this well. *****
(see the way I hold the sword in the picture above)

I hope that you all enjoy your lessons today from the Hyoho Sanju go kajo. Thank you all for your support! I wish you all the best in your journey of the arts.
Anshu Christa Jacobson
Headmistress of the Budo Ryu; School of the Warrior Way
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist


Ninja Fighting Arts? Ninpo Taijutsu; Did it really Exist?

 

Ninja researcher and historian Antony Cummins of the Historical Ninjutsu Research Team has made this video on the reality of the ninja fighting art.  When I watched the video it found a lot of the points interesting and thought that I would share with all of you.

I hope that all of you are doing well, thank you for the support, take care and be safe.

 Anshu Christa Jacobson
Headmistress of the Budo Ryu; School of the Warrior Way
21st Soke of the Tomo Ryu Tradition
Headmistress of the Budo RyuSchool of the Warrior Way
Founder of the Budo Ryu Online University
Owner of the Ninjutsu Super Store
Chief Editor of the Shinobi no Mono Magazine
Founder of the Ninjutsu International Federation
Professional Model and Artist